Showing posts with label war. Show all posts
Showing posts with label war. Show all posts

Wednesday, 24 June 2015

Tour of Duty (1987-1990)

Much like World War two, the Vietnam war is a seemingly endless time period in which all sorts of military tomfoolery went off. Renowned for being one of the worst defeats suffered by the United States military, the repercussions of the war can still be seen and felt today.
Despite the humiliations though, Americans seem to view the war with a curious mix of nostalgia and disgust.


                                                           (Series Title Card)

"Tour of Duty" ran for 58 episodes, spread out over three series and aired between 1987 and 1990.
The three series can be seen as distinct from each other as the core group of main characters change locations in between series, which is explained as them being "assigned to other duties", but in the real world, it was due to the producers wanting to cut down the cost of location filming.

Initially filmed at a marine base in Hawaii, series two saw the production move to Los Angeles, explained in show as the unit being "Reassigned to SOG duties" and being based in Saigon; this led to a running joke of the same locations being used multiple times, but always as "something different". The second series saw the introduction of numerous female characters in an attempt to entice viewership away from rival network ABCs "China Beach", which was also set during the Vietnam war but focused on the lives of a group of Army nurses, it didn't work.

The core characters of this series are introduced in the first episode, which starts the series off in early 1967:-
2nd Lt. Myron Goldman is the officer who is assigned to command Bravo Company, 2nd Platoon; following the death of their commanding officer in combat during the opening scenes of the pilot episode.
Staff Sergeant Zeke Anderson has been in effective command of the unit, and as a long time Vietnam veteran, he provides much needed advice to Goldman.
Both characters bond over the course of the series, with both men learning to respect each others abilities.
The remainder of the unit changes over the course of the fulls series, with troops either returning home at the end of their terms of service, being killed or being removed from the unit for various reasons (its usually a sign that when a new face appears in rank and file of the unit, it means that they will either be killed by the end of the episode, or discharged for some, usually dishonourable, reason). The unit itself is made up of a variety of "stock" characters, and over the course of the series the unit goes through various iterations of these characters, complete with their stereotypical back stories explaining their various outlooks on life and hangups etc, what is surprising though is that the series writers have no qualms about killing off established members of the unit.

The series writers also had no qualms about making whole episodes which had very little by way of machine gun exploding things action and instead concentrated on individual characters and stories looking at things like racial prejudice, drug abuse, sibling rivalry etc etc. This is one of the things which makes the series stand out amongst series of a similar premise, as not only was the war and its various foibles explored, but so was the everyday lives of the people fighting in it, and moreso, the consequences associated with their particular foibles.

By the time of the third series, which saw Carl Weathers  in the role of Colonel Brewster take over and assign the platoon to undertake "secret" missions behind enemy lines; came around, viewing figures for the series had dropped significantly, which wasn't helped by CBS "schedule hopping" the show so that it eventually ended up directly competing with NBCs "The Golden Girls". The series was cancelled after the third season drew to a close.

One of the things about the series was its use of time accurate pop music, so much so that several compilation albums were released, however, in a legal oddity, when the series was released on DVD in the US, all of the series music was replaced, including the shows iconic use of "Paint it Black" by the Rolling Stones as its theme tune, by generic "soundalike" tunes or original instrumental compositions, this didn't go down too well, especially as fans of the show outside of the US got a completely unedited DVD release, including all the music and a lot of the violent bits that were cut out for US release.

While the series started out strong, the gradual erosion of its main concept and attempts to make the show more "family friendly" led to its eventual position of being yet another generic military program with talky bits.

Sunday, 14 June 2015

Space: Above and Beyond (1995-1996)

Space: Above and Beyond (Also known variously as Space 2063, Squadron 58, Space Marines, Space War 2063, Space Commando, Star Squadron and many others, depending on which country you are from) was a short lived military Sci-Fi TV series created by X-Files writers/Creators Glen Morgan and James Wong as a side project while that series was still ongoing.

                                                               (Series Title Card)

The first, and only, series takes place between the years 2063 and 2064, a time in which mankind has begun to explore and colonise not only the outer solar system, but also due to the discovery of predictable but highly mobile wormholes, other star systems as well.

The series begins proper when the first extra-solar colony, named "Vesta", comes under attack by an advanced alien species, ironically while the colonies leader delivers a speech about mankind being alone in the universe.
A second colony, named "Tellus" is planned, however the colony ship is attacked and heavily damaged as it makes its landing run on the planet.

The Tellus colony ship is what sparks the beginning of the series storyline, as prior to its launch a colonist named Nathan West is forcibly removed from the program on the orders of US Government senators for political reasons. This removal separates him from his long term girlfriend Kylen, whom he pledges he will find and be with again, which leads him to enlisting in the US (Space) Marine corps, as there is a slim chance that he will be stationed to system monitor duty in the Tellus system, which will allow him and Kylen to be together again, the destruction of the Vesta and Tellus colonies puts a damper on this plan though, as for the first time, mankind has to fight a war against a completely alien enemy.

Initially, the series plays out along the lines of what is seemingly a "humans v evil aliens" type storyline, however, as time passes, it slowly becomes apparent that the aliens, who are nicknamed the "Chigs" (due to their passing resemblance to a chigoe flea - their real name is never revealed) are not as evil as it was thought, and that the cause of the war is not a straightforward question of "Us vs Them".
Nathan West is eventually assigned to USMC 58th Squadron, attached to the Carrier vessel USS Saratoga, where, during the course of the pilot episode, they distinguish themselves by thwarting a Chig plan to directly attack the planet Earth.
The remainder of the series follows the members of 58th Squadron as they fight their way through the war one day at a time, hampered by the various bits of infighting and politics that are as still prevalent amongst mankind in the future as they are now.



Numerous plot arcs and story lines are followed in this series, and, unlike most Sci-Fi offerings of the time, are intelligently written, examples include:-



Racism/Prejudice - Part of the series backstory is that about 5 years prior to the series beginning, mankind fought a war against "The Silicates", a race of human created androids intended to perform labour considered dangerous or too menial for humans. At some point, a computer programmer, seeking to revenge himself upon a supervisor who took credit for his work, inserted a virus in the Silicates programming, which urged the androids simply to "take a chance" instead of following logic. This petty decision led to all of the worlds androids rebelling, which in turn erupted into open conflict, causing the deaths of millions of people.
In response to this, Human genetic engineering gave birth to a race of artificially created humans, referred to as "in-vitros", who are created in laboratories and who were originally intended to be used as soldiers to fight the AIs. However, this backfired, as in-vitros, known mostly by the derogatory terms "Tanks" (referring to both their method of birth and the fact that they are generally tougher than normal humans) and/or "Nipple-necks" (due to them having a noticeable navel on the back of their neck, as opposed to being on the stomach as it is on a normal human) are "born" with the physical age of 18, but the mental age of a newborn baby, they are then quickly and brutally rushed through education and indoctrination, which although instilling the required level of military knowledge into them, instils none of the psychological knowledge which normal humans acquire through years of life (most of the in-vitros shown during the series appear to have an adolescent type of mindset).As such, the in-vitros are considered to be both lazy and cowardly, as during the AI war, very few of them actually fought or performed any of the duties they were created for.

Most humans are shown to treat in-vitros with extreme prejudice, who for most of the series are shown to be treated as little more than slaves and/or animals.This leads to various plot lines where they are openly defiant and rebel against humans, and are even used by humans in plots to cause trouble with the war effort.

Loyalty/Betrayal -  One of the recurring themes is the intense loyalty that 58th Squadron develops for each other, sometimes at the cost of disobeying their superiors. Conversely, one theme that also recurs is betrayal or distrust of "outsiders". Numerous characters pop up during the series whose motives and true intentions are either never made clear, or who outright betray everyone. While this is an expected trait from AIs (all of whom harbour an intense dislike of humans) when it is displayed in other humans, it usually ends up being something shocking or unexpected.

Conspiracies/Cover ups -  One thing that crops up at various points in the series is the involvement of the megacorporation "Aero-Tech" in numerous aspects of both the war and human space exploration in general. Aero-Tech is shown to be a major aerospace company who manufactures space craft for the various Earth governments, but also seems to have numerous hidden agendas, and, who as it turns out, may have had a hand in inadvertently causing the war in the first place, a fact which they try, using various underhanded means, to cover up.

Psychology/Torture - Throughout the series, both the humans and the Chigs are shown to make extensive use of disinformation and psychology to try and outwit each other, up to and including psychological torture and "reprogramming" of individuals to perform some purpose inherent to their respective war efforts. On the human side, things such as hypnotic suggestion and psychological programming are used to make people believe things that are not true, or to coerce them into performing deeds which they normally wouldn't. Both the Chigs and the AIs are shown to make extensive use of terror tactics and terror weapons in order to destabilise the human war effort.

Although S:AAB didn't really tread any new ground (similar plot lines were explored in the TV series "Tour of Duty") , it did bring forth a fairly interesting, although sometimes dry, Sci-Fi tale which was set close enough to "now" to still be recognisable to the causal viewer, but just far enough into the future to allow for convenient Sci-Fi trappings to give the writers enough freedom to explore plotlines without having to make too many nods towards realism.

Although the series was well recieved, its convoluted plot and expensive special effects, coupled with it "schedule hopping" led to the decision being made not to commission a second series.
As such, the series ended on a cliffhanger, which the creators hoped to resolve in a possible feature length episode or movie, however as time went on, people lost interest in the project and thus it never materialised.
Since then the creators have given rough outlines to what would have happened if the series had continued, including most of 58th Squadron being killed or captured and the various survivors encountering personal problems, both due to their experiences and with the replacements for those killed.

In the years that have passed since the series aired, actor Joel de la Fuente, who played Lt. Paul Wang in the series, has been vocal in his criticism of the way in which the series handled stereotypes, labeling his character as being little more than a stereotypical "Asian coward" and most of the other characters as being "cardboard cut outs". Understandably, de la Fuente has not been asked to take part in many of Morgan/Wongs other projects since, unlike many of the other people who starred in this series.

S:AAB is a nice series, but some of the series 24 episodes are just downright boring to watch, as the writers seemed to be trying too hard to make the series cerebral, and ended up instead making convoluted and dialogue heavy scenes which confused many viewers and created plot holes.

Its not a bad series, but its not a great one either....







Tuesday, 1 October 2013

Aint War Hell? - Threads (BBC 1984)

So, my next stop on my journey into nucelar holocaust drama is 1984s "Threads".
Like "The War Game" before it (which had yet to be shown on television, despite being made nearly 20 years previously) Threads is a Drama-Documentary, however unlike The War Game, Threads has a series of characters which it follows  over the course of about 25 years.

Threads was, and still is, considered somewhat harrowing viewing, as like its 60s predecessor, it pulls no punches in showing the horrible effects of a nuclear war on British society.
Set in "modern day", i.e, the early 1980s, Threads follows the fortunes of 3 groups of people, The Beckett Family, the Kemp family, and Sheffields emergency planning committee.

The narration of the story comes in the form of on s
creen "teletype" style captions, giving information relevant to on screen events and marking the passage of time.

The story begins with Ruth and Jimmy, a young couple who decide to marry after Ruth falls pregnant. While both families go about their daily lives, news reports heard playing in the background on radios and TV sets state that the USSR has invaded Iran, in response, NATO forces mobilise and the USSR is issued with a warning to withdraw otherwise the NATO countries would step in to protect western economic interests in the region (in other words..oil..oh look, how familiar is that eh?).
As relations between NATO and the USSR begin to fizzle away, the home office instructs Sheffield city council to form an emergency planning committee, to be based in the cellar of the city hall. Local councillors and civil servants are chosen to sit on the committee and begin setting up their "command centre" of sorts, not really expecting anything to happen.
As the preparations are made, numerous protests occur, firstly from anti nuclear campaigners, and then later by trade unionists, calling for a general strike in protest at the prospect of war.
The on screen captions state that the police are given emergency powers to arrest and detain both known and suspected subversives in order to maintain calm.
Despite all these preapartions however, on one May morning, whilst it is still night time in the US, "Attack warning red" is broadcast, meaning that world war 3 has begun.
(it is left deliberately ambiguous as to who fired first, although one news report states that US forces in west Germany detonated a tactical nuclear weapon over advancing Soviet troops in order to prevent the invasion of western Europe).

Within minutes, a soviet missile airburst over the north sea knocks out all electrical systems in northern England, and soon after, missiles begin impacting on major targets such as RAF Finningley, the Sheffield steelworks and mining areas.
As is the norm for nuclear warfare, anyone or anything caught in a primary blast zone is immediately vapourised, anything in the secondary blast zones either bursts into flames from the intense heat, or is pulverised by the blast wave.

Jimmys family, the Kemps, rush to complete their fallout shelter in their home, but are unable to fully complete it when the first missile strike hits. Jimmys younger brother is killed as he hides in Jimmys aviary, and Jimmys parents are injured as their house begins to collapse around them.
Jimmy himself, who is at work at the time of the attack, sets off running to try and get to Ruth, he is never seen again.
Ruths family, including her grandmother, who was sent home from the hospital she was in in order to make room for the expected wounded and injured, fare slightly better than the Kemps, due to them all taking shelter in their cellar, however, even with this makeshift shelter, radiation sickness begins to take its toll. An on screen caption points out that in its early stages, the symptoms of radiation sickness are indistinguishable from panic.

In total, 3000 megatons are exchanged worldwide, with approximately 150 megatons falling in the UK.
The emergency planning committee, or, at least those who bothered to turn up for work that morning, are trapped in their underground shelter, imprisoned by the rubble of the destroyed town hall. One of their number is killed by falling masonary, however their radio still functions, and after several attempts, they are able to make contact with remnants of the civil defence volunteers in nearby Stocksbridge, who tell them that due to raging fires and heavy radioactive fallout, it will be some time before a rescue attempt can be made.

A week passes, and many of those injured in the attack are already dead, and the streets are littered with rotting corpses and vermin. Without social infrastructure, the few functioning hospitals in the area quickly run out of essential medical supplies, even sundries such as wound dressings, disinfectants and even sharp knives are quickly used up, and doctors are forced to improvise, one scene shows nurses ripping up blankets to use in place of bandages, ans salt being mixed with hot water to be used in place of disinfectant.

Ruths grandma dies from the initial onset of radiation sickness, and, while her father drags the body upstairs, Ruth escapes and goes in search of Jimmy, however when she arrives at the Kemp family home, she finds Jimmys mothers rotting corpse abandoned in their half finished shelter. Jimmys father is later seen swapping a packet of cigarettes for a bottle of whisky with another survivor, but he soon succumbs to radiation and dies.

In the 2 weeks Ruth takes to return home from trying to find Jimmy, The Becketts house is invaded by looters and both her parents are killed.

Civil order breaks down rapidly, and in one of this films most iconic scenes, a traffic warden is shown wielding an assault rifle and being assigned to guard prisoners captured while looting or rioting, however before long, civil defence forces simply shoot looters on sight, as dead people don't need to be fed.

The emergency planning committee struggles to come up with any effective means of keeping up a steady supply of food and materials for the survivors above ground, and take to arguing amongst themselves ineffectively.

Within 2 months, radiation sickness, starvation, dehydration and infection have killed roughly 40 million people worldwide, with their corpses lying unburied due to lack of fuel to cremate them and a waste of energy feeding people to dig graves, this leads to outbreaks of diseases such as cholera and dysentery, which leads to even more deaths due to the lack of the most basic medicines or even clean drinking water.
At this time, rescuers finally manage to unearth the emergency planning committees bunker, only to find all its occupants have died from suffocation.


6 months down the line and winter sets in , which is not helped by the presence of a "nuclear winter" beforehand, which has pretty much killed off all the plants and crops, leading to less food available than ever.
By now, Ruth is heavilly pregnant and having ignored "official" advice, such as it is, to remain in her home town, she has walked 20 miles to Buxton, where the remaining local authority billets her to stay in a house occupied by an old man, who promptly throws her and other refugees out into the street once the police have left as he refuses to share his meagre food supplies with strangers.




Ruth carries on wandering and eventually gives birth to a baby girl in an abandoned barn (the end credits name this child as "Jane")
A year after the war, and a caption states that the population of the UK is now estimated to be less than 3 million people, and although in some areas manual coal mining has resumed, as well as the use of steam powered traction engines for farming, the lack of agrochemicals, pesticides and fertilizers means that crop harvests are poor.
Ruth is shown attempting to barter with a street peddler, however he isn't interested in any of the scrap items she is carrying, and instead in exchange for 3 dead rats, he demands sexual services.
Ruth is then shown running from civil defence personnel after stealing a bag of grain, which she then crushes on the floor of a house she is hiding in by using a rusted metal bucket in order to get something edible for her child.

10 years later, Ruth is shown working in the rudimentary fields tilling soil, however the caption states that due to damage to the ozone layer, the light is heavy with ultraviolet radiation, leading to cataracts becoming widespread and increased risk of cancer. during her work period, Ruth collapses, and is shown to have cataracts and to look much older than her years due to radiation exposure.
Ruth and Jane live in a makeshift home, Jane attempts to wake Ruth up for work, however Ruth dies silently, Jane, who has grown up in a world without education or any kind of social interaction, stares emotionlessly at her mothers body, before taking Ruths scarf and hairbrush before leaving.

3 more years pass and Jane appears to have picked up two male companions. None of the three "post war" children can speak proper English, instead communicating by a series of grunts, broken sentences and slang. Jane is then shown running from civil defence personnel, however her companion "Gaz" is shot. Jane and her companion "Spike" escape with some stolen food but as they inspect their booty, Spike rapes Jane.

several months later, Jane is shown wandering through the rubble of a destroyed town, very obviously pregnant. She happens across a makeshift hospital where she pleads with a woman for help as "babbie coming", initially her pleas go unanswered until she gives birth to a stillborn and deformed child, which is handed to her wrapped in a dirty and bloodstained sheet.
The film ends just as Jane screams.

Like "The War Game", this film holds nothing back, and many of the scenes are extremely disturbing to watch, but they are nevertheless a true representation of what the expected effects of a global nuclear conflict would be, in fact, in some ways the scenes are actually rather optimistic.

This is a very good film, well made and very evocative and is recommended highly.
If you would like to watch this film, click HERE